By Tony Wolk
Notes on Sam Greenlee.
By Tony Wolk
Notes on Sam Greenlee.
By Tony Wolk
Notes on Chester Himes.
By Tony Wolk
Notes on Alex Haley.
By Tony Wolk
Notes on John A. Williams.
By Tony Wolk
Notes on Bobby Seale.
By Joshua Pollock
Jeannine Marie Pitas on translation, influence, and work still to do.
By Romina Freschi
Poems from Echo of the Park, originally published as Eco del parque in 2016 and forthcoming in English from Pittsburgh-based Eulalia Books.
By Joshua Pollock
Jeannine Marie Pitas talks about how forwarded paperwork, an influential teacher, and time in a library all played a role in her becoming a translator of Uruguayan poetry.
By Selva Casal
Poems from No vivimos en vano (We do not live in vain) by Uruguayan poet Selva Casal, originally published in 1975, in new translations by Jeannine Marie Pitas.
Propeller Q&A
Aaron Gilbreath on This Is and Everything We Don’t Know.
By Alex Behr
Desire and its suppression in the stories of Kimberly King Parsons, whose debut collection, “Black Light,” is one of ten books on the Longlist for the 2019 National Book Award for Fiction.
By Neil Armstrong & Buzz Aldrin
After “for all mankind,” it was straight to work.
By Connor Jones
In Alphaville, Jean-Luc Godard turned a 1960 computer into a disorienting vision of the future.
By Catherine Johnson
In The Collected Schizophrenias, Esmé Weijun Wang challenges readers not only to participate in recreating how our culture treats and understands mental illness, but to explore some of our most basic assumptions about identity and suffering.
By Alex Behr
The only ways in which my girlfriends liked sci-fi were if they could boyfriend the main character: Kirk; Spock—what was the option in Ultraman?
On the radio program The Steer, Propeller Books editor Dan DeWeese chats with hosts Jeff Alessandrelli and Sunny Bleckinger about connections between music from Willie Nelson, Pink Floyd, Sade, George Michael, Travis Scott, and George Frideric Handel.
By Rachel Greben
Science fiction at its best presents a heightened state of human possibility and peril, and reading it as a child provided architecture for my soul, along with a promise that growing up would be harrowing and fraught with danger.
By Lucas Bernhardt
When Paul Linebarger wasn’t busy practicing psychological warfare, he wrote fiction under the name Cordwainer Smith—much of it set in a far, far future he may or may not have believed he’d visited.
By Matthew Hein
Bud Harrelson’s Mets kept showing up.
By Pete Tothero
Circles don’t have sides, and Michael Lind’s review of Jill Lepore’s This America is beyond the pale.