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    <image:image>
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      <image:caption>A video feed mounted on a van displays action occurring across the street at the federal courthouse in Portland, Oregon.</image:caption>
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      <image:caption>Agents of the Department of Homeland Security appear from behind the Multnomah County Justice Center on Monday, July 20, 2020, in Portland, Oregon.</image:caption>
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      <image:caption>Protesters in Portland, Oregon, wait up the street while avoiding tear gas and munitions being fired by federal agents in Lownsdale Square on Monday, July 20, 2020.</image:caption>
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      <image:caption>Empty streets surround Portland’s Center for the Arts during violent protests at the federal courthouse four blocks away on July 20, 2020.</image:caption>
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    <lastmod>2020-09-04</lastmod>
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      <image:caption>Chad Wolf demonstrates that the lambada is actually easy to learn if you break it down into steps.</image:caption>
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      <image:title>Posts - Chad Wolf Sees Himself in Portland</image:title>
      <image:caption>Every frame of what Chad Wolf “saw in Portland” is a photo of himself.</image:caption>
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      <image:title>Posts - Chad Wolf Sees Himself in Portland</image:title>
      <image:caption>A man explains to Chad Wolf that there are basically three seasons in Portland: rain, colder rain, and summer. Wolf has arrived in summer, the man says, and will look amazing in our northern light.</image:caption>
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      <image:caption>Chad Wolf appears momentarily confused as a police officer explains that the park across the street does not belong to the federal government, and citizens have a constitutional right to protest there.</image:caption>
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      <image:caption>Typical Portland graffiti: messages against the Ku Klux Klan, supportive of Black Lives Matter, and a quote from Hillel the Elder. Standard radical leftist positions and intellectualism.</image:caption>
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      <image:caption>An officer explains that although Lillard had beef with Westbrook, it was actually Paul George guarding him at the end of game five, which was interesting because…</image:caption>
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      <image:caption>“Acting” Secretary Chad Wolf replies to his own post of photos of himself with more photos of himself.</image:caption>
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      <image:caption>BRAD WOLF offers words of encouragement to police in a still from THE VALIANT PREVAIL (2020).</image:caption>
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      <image:caption>The Department of Homeland Security flag captured in its “fluffed” position behind Chad Wolf.</image:caption>
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      <image:caption>A POLICE asks Chad Wolf why he asked them to rent so many GMC Yukons, and explains that one rental place switched them to a Chrysler Pacifica, which they complained about, but is that okay?</image:caption>
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      <image:caption>Brad Wolf explains to POLICE that he has only had it up “to here” with police violence and groundless detainment, by which he means he would actually be okay with more of it.</image:caption>
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    <loc>https://www.propellerbooks.com/posts/2020/7/15/amplification-ihns-reading-list</loc>
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      <image:caption>“Putting in the man-hours to study the science of what you need.”</image:caption>
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      <image:caption>Detail from the cover of Serpent’s Tail edition of The Book of Disquiet by Fernando Pessoa.</image:caption>
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      <image:caption>Use a hoof knife to remove excess, flaky sole from the bottom of the hoof. Typically, before a horse is shod, the dark, hard, outer layer of each hoof's sole is removed to reveal the softer, whiter material underneath in a process roughly equivalent to trimming a human's toenails. Take care not to cut too deep, or you risk hurting the horse or even rendering it temporarily lame - the same as if you'd cut a person's nails too short.</image:caption>
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      <image:caption>“The Cabinet of Dr. Caligari” (1920). The frame isn’t the only thing tilted.</image:caption>
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  <url>
    <loc>https://www.propellerbooks.com/posts/2019/5/6/album-bracketology-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-11</lastmod>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2018/4/2/in-praise-of-ordinary-art</loc>
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    <priority>0.5</priority>
    <lastmod>2019-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556549892298-D34O54D4TJ0G68YTRDSP/black_panther.jpg</image:loc>
      <image:title>Posts - In Praise of Ordinary Art</image:title>
      <image:caption>Lupita Nyong'o, Chadwick Boseman, and Danai Gurira in “Black Panther.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556550020637-O4XX87WFUUJB4IRYE0X2/national_band.jpg</image:loc>
      <image:title>Posts - In Praise of Ordinary Art</image:title>
      <image:caption>The National, a band that “has long wallowed in the muck of domestic life.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556550316189-OJH7YBY2PZUWOAOJH5OI/Jesmyn_Ward_by_Beowulf_Sheehan.jpg</image:loc>
      <image:title>Posts - In Praise of Ordinary Art</image:title>
      <image:caption>Jesmyn Ward, author of “Sing, Unburied, Sing,” and two-time winner of the National Book Award.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556550401549-6CYUT046Q04EKCOHY4RQ/columbus2.jpg</image:loc>
      <image:title>Posts - In Praise of Ordinary Art</image:title>
      <image:caption>Haley Lu Richardson and John Cho in “Columbus.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/4/24/lookbook-battle-judgment-goodbye</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556129012423-EUBGFATD6L3ORUABARMK/jacques_louis_david-Leo%CC%81nidas_en_las_Termo%CC%81pilas.jpg</image:loc>
      <image:title>Posts - Lookbook: Battle, Judgment, Goodbye</image:title>
      <image:caption>Jacques-Louis David, Leonidas at Thermopylae. 1814. Oil on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556129439536-EI1OJWFX6BOJ30IMY090/michelangelo_last_judgment.jpg</image:loc>
      <image:title>Posts - Lookbook: Battle, Judgment, Goodbye</image:title>
      <image:caption>Michelangelo, The Last Judgment. 1541. Fresco, The Sistine Chapel, Vatican City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556129757211-536HL0YU15U5O23ZW15W/tintoretto_paradiso.jpg</image:loc>
      <image:title>Posts - Lookbook: Battle, Judgment, Goodbye</image:title>
      <image:caption>Tintoretto, Il Paradiso. 1588. Fresco, Doge’s Palace, Venice.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1556130191719-RUBXTDA2VWYSHS3U1PHB/lillard_usa_today.jpg</image:loc>
      <image:title>Posts - Lookbook: Battle, Judgment, Goodbye</image:title>
      <image:caption>Jaime Valdez, ”The series was over and I was just waving goodbye to them.” 2019, USA TODAY Sports.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/4/17/sophie-sees-through-sue-preneta</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-18</lastmod>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/4/16/damian-lillards-deep-threes</loc>
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    <priority>0.5</priority>
    <lastmod>2019-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1555445564437-K18XHHM47XQMP2VZZSMR/IMG_2845.JPG</image:loc>
      <image:title>Posts - Damian Lillard’s DEEP THREES! Make a Mockery of the 1925 YMCA Gym I Play Basketball In</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1555453802583-KNEIPEMSVWRDF791UZQI/NECC_Lillard1.jpg</image:loc>
      <image:title>Posts - Damian Lillard’s DEEP THREES! Make a Mockery of the 1925 YMCA Gym I Play Basketball In</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1555453846696-FO8HQM9Q1C4KW96RHP4N/NECC_Lillard2.jpg</image:loc>
      <image:title>Posts - Damian Lillard’s DEEP THREES! Make a Mockery of the 1925 YMCA Gym I Play Basketball In</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1555453933778-VOEY6UOZQN99YDBZVZVY/NECC_Lillard3.jpg</image:loc>
      <image:title>Posts - Damian Lillard’s DEEP THREES! Make a Mockery of the 1925 YMCA Gym I Play Basketball In</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1555454014025-F9TSL9Y01JGGPF63SL11/NECC_Lillard4.jpg</image:loc>
      <image:title>Posts - Damian Lillard’s DEEP THREES! Make a Mockery of the 1925 YMCA Gym I Play Basketball In</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/4/13/album-bracketology-3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-11</lastmod>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/4/12/to-sucker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-18</lastmod>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2013/3/1/times-tough-bohemian-quiz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-03</lastmod>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/4/8/rupture-light-reeser-poulin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554740119806-4GKRVAOKTYYI8661YZKG/braided_creek.jpg</image:loc>
      <image:title>Posts - After Several Years of Living</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554734642625-N2T8U78GXDAR8KVB54PB/poulin_cover.jpg</image:loc>
      <image:title>Posts - After Several Years of Living</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2018/6/25/they-cant-touch-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554309722680-C9BZICH0VMQWVUAMMEOF/Entity3.jpg</image:loc>
      <image:title>Posts - They Can’t Touch Us</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554309776407-HAE0DMGDPUQJE4AI58CL/Entity4.jpg</image:loc>
      <image:title>Posts - They Can’t Touch Us</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554309869134-3PW29P86VAIKA5RR35GU/Entity5.jpg</image:loc>
      <image:title>Posts - They Can’t Touch Us</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554309960029-I0K6318XT8XZB8AGILIC/Entity6.jpg</image:loc>
      <image:title>Posts - They Can’t Touch Us</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554310002549-9LSP3TZ6LWVPW9S1EHBK/Entity7.jpg</image:loc>
      <image:title>Posts - They Can’t Touch Us</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/4/1/figuring-popova-review</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554132935128-OHJNMD9Y79EQ8DCXELQZ/Popova_by_AllanAmato3.jpg</image:loc>
      <image:title>Posts - A Symphony of Voices</image:title>
      <image:caption>Maria Popova. Figuring is as much a symphony of others’ voices as it is her own. Photo by Allan Amato.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1554133131907-79IWI192M9KKIRAIB9MY/popova_cover.jpg</image:loc>
      <image:title>Posts - A Symphony of Voices</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/3/30/album-bracketology-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1553971403297-7GXFQFCRVVWBHX6RPIYS/motorcade.jpg</image:loc>
      <image:title>Posts - Album Bracketology, Part Two: Let's Call Him Fred Toppel</image:title>
      <image:caption>Motorcade, from Dallas, Texas, crafts melodic, ’80s-influenced synth and guitar rock. Their eponymous debut album was released by Idol Records in January of 2018.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/3/22/album-bracketology-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1553269384719-1QJ023TJVXSVEOH5IL0L/dr_dog.jpg</image:loc>
      <image:title>Posts - Album Bracketology 2019 (An Exercise in Design)</image:title>
      <image:caption>Philadelphia band Dr. Dog, winners of this tournament in 2010. Their latest album is Critical Equation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1553272943732-3GQP83QHBBOT65MOGU4B/boygenius.jpg</image:loc>
      <image:title>Posts - Album Bracketology 2019 (An Exercise in Design)</image:title>
      <image:caption>boygenius: Phoebe Bridgers, Julien Baker, and Lucy Dacus.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2012/12/06/who-was-barbara-loden</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1553013938136-CH0IIGLNB2MOKYBHVDHC/Loden_Wanda.jpg</image:loc>
      <image:title>Posts - Who was Barbara Loden?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1553014066510-XFSWAHAJ3K1IIWH0L88L/Loden_higgins_loden.png</image:loc>
      <image:title>Posts - Who was Barbara Loden?</image:title>
      <image:caption>Curabitur blandit tempus porttitor. Vestibulum id ligula porta felis euismod semper. Vivamus sagittis lacus vel augue laoreet rutrum faucibus dolor auctor. Fusce dapibus, tellus ac cursus commodo, tortor mauris.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1553014512282-OJ2QKA6ZHKJQA2L7P159/Wanda_Squinting.jpg</image:loc>
      <image:title>Posts - Who was Barbara Loden?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/feb2019/bourgeois021919</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550860349345-MA44AP56G9JZN9V1W66G/Devil_header.jpg</image:loc>
      <image:title>Posts - Bourgeois Shares "Devil" Talk on The Steer</image:title>
      <image:caption>Nullam quis risus eget urna mollis ornare vel eu leo. Donec sed odio dui. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean eu leo quam. Pellentesque ornare sem lacinia quam venenatis vestibulum. Maecenas sed diam eget risus varius blandit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56730860a976af1587aa9e8c/1455223160271-0DULP006GY6M0WZNVD59/image-asset.jpeg</image:loc>
      <image:title>Posts - Bourgeois Shares "Devil" Talk on The Steer</image:title>
      <image:caption>Vestibulum id ligula porta felis euismod semper. Fusce dapibus, tellus ac cursus commodo, tortor mauris condimentum nibh, ut fermentum massa justo sit amet risus. Morbi leo risus, porta ac consectetur ac, vestibulum at eros. Sed posuere consectetur est at lobortis. Vestibulum id ligula porta felis euismod semper.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56730860a976af1587aa9e8c/1455239339036-ZNWWAT0PIOOV77CI1HIJ/JessieWebster_Squarespace_04.jpg</image:loc>
      <image:title>Posts - Bourgeois Shares "Devil" Talk on The Steer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56730860a976af1587aa9e8c/1455239339405-JF898VHFS55CRCKURO4B/JessieWebster_Squarespace_23.jpg</image:loc>
      <image:title>Posts - Bourgeois Shares "Devil" Talk on The Steer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56730860a976af1587aa9e8c/1455239338759-N047W1MGH1NLOCPE3G28/JessieWebster_Squarespace_11.jpg</image:loc>
      <image:title>Posts - Bourgeois Shares "Devil" Talk on The Steer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56730860a976af1587aa9e8c/1455239340076-11925OCTKVPUJ49OURYV/JessieWebster_Squarespace_52.jpg</image:loc>
      <image:title>Posts - Bourgeois Shares "Devil" Talk on The Steer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56730860a976af1587aa9e8c/1455239340027-GQHXXU5PDXSMLNBLMA8K/JessieWebster_Squarespace_24.jpg</image:loc>
      <image:title>Posts - Bourgeois Shares "Devil" Talk on The Steer</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.propellerbooks.com/posts/2019/2/15/lookbook-television-1976-1985</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550993068469-LSG7QR2OL1CCRTX6VNF0/look_woman1_manwhofell.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Candy Clark in The Man Who Fell to Earth (1976)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550993179748-6KZF1NEUKN3K038K8IVI/look_woman2_manwhofell.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Candy Clark in The Man Who Fell to Earth (1976). Stacked televisions—here watched by David Bowie’s character—quickly became an oft-used visual metaphor for overconsumption.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550994097989-R9CBPN02PPTLGQWLM38Y/look_pink1_thewall.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Pink Floyd: The Wall (1982)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550994172990-ADCJPAF3TZ7OZQCZYX8X/look_pink2_thewall.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Pink Floyd: The Wall (1982). Locked in a hotel room, Pink stares at a television while having a breakdown. Director Alan Parker described making the film as “one of the most miserable experiences of my creative life.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550995505048-S24G7DXRUV36R9B8Y3SW/look_man_videodrome.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Videodrome (1983)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550995579454-YGV651T2UVMRKUADM49J/look_screen_videodrome.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Videodrome (1983)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550996268081-LRR8ST37PW63HIZCMPKC/look_hurt1_1984.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>John Hurt in Nineteen Eighty-Four (1984). According to director Michael Radford, Hurt “was just perfect for the part. He was the person who had to play Winston Smith. He was so scrawny in those days and so unhealthy looking. At the same time, he had that sort of desperate look in his eyes.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550996424238-ATV7H147V9XKNAUPFXVG/look_burton1_1984.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Richard Burton and John Hurt in Nineteen Eighty-Four (1984). Of Burton, Radford said, “He really didn’t have any psychological input into his characters, he just had this fantastic voice, which he could modulate. He could read a telephone directory and make it sound like Shakespeare.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550996757487-FOUURXFO5CLGB3ABXBEC/look_screen1_brazil.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Brazil (1985)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550996807149-Z8WPTJSNAN8MS1XFO141/look_workers1_brazil.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Brazil (1985). “Gilliam understood that all futuristic films end up quaintly evoking the naïve past in which they were made, and turned the principle into a coherent comic aesthetic,” critic Michael Atkinson wrote.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c70349e348cd96170d34172/1550996906781-6H0QUBILSRHEFWRE9N3M/look_screen2_brazil.png</image:loc>
      <image:title>Posts - We Have Seen the Enemy, and It Is Television</image:title>
      <image:caption>Brazil (1985). When Universal re-cut the film’s ending, Gilliam took out a full-page ad in Variety imploring the studio to release his version, and began hosting private screenings of the film for critics.</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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