By Dan DeWeese
Solaris, genre, and the problems of loving simulacra.
By Dan DeWeese
Solaris, genre, and the problems of loving simulacra.
Chicago Review’s winter poetry reading January 28th includes Kirsten Ihns, author of sundaey.
By Dan DeWeese
Is every art film science fiction?
By Dan DeWeese
Forbidden Planet diagnoses the movies.
By Dan DeWeese
Before space, there was obsession.
By Dan DeWeese
Taking A Trip to the Moon.
By Jeff Alessandrelli
“The Puppy Still Hasn’t Opened Her Eyes”
from “Be Yer Own Hitman (Deathsounds/Lovesongs)”
“Nothing of the Month Club”
In Poetry Northwest, another rave review for Kirsten Ihns’s sundaey.
By Danny O’Brien
RoboCop and the failure of satire.
By Joshua James Amberson
Post-punk poet Lydia Tomkiw’s collected poems.
By Dan DeWeese
A face-making application and a little Photoshop bring the Classical Greeks to life.
By Michael D. Kell
A glimpse into working in food service in prison during the pandemic.
By Joshua James Amberson
Catherine Lacey’s “Pew” listens to the American South.
By Suman Mallick
From Mallick’s new novel, out October 13th.
By Joshua James Amberson
Sarah Mirk gathers a collection of voices and images from the notorious prison.
By Jonah Hall
Walking into preschool—and anxiety—during the pandemic.
By Nora Claire Miller
“when telling”
a selection from LULL
“about numbers”
By Mary Rechner
Nigeria-raised Oregon writer Kesha Ajose Fisher talks about her story collection No God Like the Mother, winner of a 2020 Oregon Book Award.
By Michael D. Kell
For inmates in the Oregon State Penitentiary, there is nowhere to hide.
The downtown men’s boutique is objectively the greatest retail experience Portland will ever know.